{"id":10769,"date":"2025-04-10T20:30:41","date_gmt":"2025-04-10T20:30:41","guid":{"rendered":"https:\/\/www.galerie-oia.fr\/the-fishermen-of-dina-thun\/"},"modified":"2025-04-10T16:49:14","modified_gmt":"2025-04-10T16:49:14","slug":"the-fishermen-of-dina-thun-2","status":"publish","type":"post","link":"https:\/\/www.galerie-oia.fr\/en\/the-fishermen-of-dina-thun-2\/","title":{"rendered":"The fishermen of Dina Thun"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.galerie-oia.fr\/en\/artistes\/dina-thun\/\">Dina Thun<\/a>&#8216;s entire work is marked by the profound change experienced by the Cambodian population who, essentially rural, made a rapid movement towards the city when peace in the kingdom returned. <\/p>\n\n<p>This hopeful change is reflected in the names given to his first two personal exhibitions: \u201c<em>Chrysalis<\/em>\u201d and \u201c<em>Flourished<\/em>\u201d (to flower, to prosper). It&#8217;s not a simple move, it&#8217;s a mutation, a transformation of life, a transition, a rebirth. And yet&#8230;<\/p>\n\n<p>Yet in this city, symbol of modernity, hope for a better life, it is impossible not to think back to what we have left from our previous life, the simplicity of everyday life, our childhood dreams: nature remains omnipresent with the evocation of a flower, a bird, a body of water, but it is a nature-memory, a nature-nostalgia. In the city, nature appeals to memory. Wanting to perpetuate a rural way of life in the city is illusory. Traditional activities, such as fishing, have no place there. These are again memories that Dina Thun calls upon.<\/p>\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"856\" height=\"1024\" src=\"https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/20DT-Fisherman-856x1024.jpg\" alt=\"\" class=\"wp-image-9191\" style=\"width:313px;height:auto\" srcset=\"https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/20DT-Fisherman-856x1024.jpg 856w, https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/20DT-Fisherman-251x300.jpg 251w, https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/20DT-Fisherman-768x919.jpg 768w, https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/20DT-Fisherman-1284x1536.jpg 1284w, https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/20DT-Fisherman.jpg 1712w\" sizes=\"(max-width: 856px) 100vw, 856px\" \/><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.galerie-oia.fr\/en\/oeuvres\/fisherman-2\/\">&#8220;Fisherman&#8221;<\/a><\/figcaption><\/figure>\n\n<p><a href=\"https:\/\/www.galerie-oia.fr\/en\/artistes\/dina-thun\/\">Dina Thun<\/a> remembers how the prospect of living in the capital filled him with hope, like all those who wanted to leave their countryside to go to the city : the promise of success, work, happiness&#8230; It is these hopes, these dreams which are materialized by the aura of light and color enveloping the heads of his characters.<\/p>\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" width=\"861\" height=\"1024\" src=\"https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/37DT-fisherman-861x1024.jpg\" alt=\"\" class=\"wp-image-9189\" style=\"width:312px;height:auto\" srcset=\"https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/37DT-fisherman-861x1024.jpg 861w, https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/37DT-fisherman-252x300.jpg 252w, https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/37DT-fisherman-768x913.jpg 768w, https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/37DT-fisherman-1292x1536.jpg 1292w, https:\/\/www.galerie-oia.fr\/wp-content\/uploads\/2024\/01\/37DT-fisherman.jpg 1722w\" sizes=\"(max-width: 861px) 100vw, 861px\" \/><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.galerie-oia.fr\/en\/oeuvres\/fishing\/\">&#8220;Fishing&#8221;<\/a><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Dina Thun&#8216;s entire work is marked by the profound change experienced by the Cambodian population who, essentially rural, made a rapid movement towards the city when peace in the kingdom returned. This hopeful change is reflected in the names given to his first two personal exhibitions: \u201cChrysalis\u201d and \u201cFlourished\u201d (to flower, to prosper). It&#8217;s not [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":10773,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[92,88],"tags":[],"class_list":["post-10769","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-artwork"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The fishermen of Dina Thun - Galerie Oia<\/title>\n<meta name=\"description\" content=\"Dina Thun expresses the hopes and nostalgia that accompany people who abandon their rural lives for the city\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.galerie-oia.fr\/en\/the-fishermen-of-dina-thun-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The fishermen of Dina Thun - 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